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CrÃticas 'This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor.'-Project MUSE Reseña del editor This important and much-disputed essay edited by Ezra Pound from the manuscript of Ernest Fenollosa (and published in Instigations, London, 1920) has since gone through several editions, despite the ridicule of such sinologists as Professor George Kennedy of Yale, who called it 'a small mass of confusion. The old theory as to the nature of the Chinese written character (which Pound and Fenollosa followed) is that the written character is ideogrammic-a stylized picture of the thing or concept it represents. The opposing theory (which prevails today among scholars) is that the character may have had pictorial origins in prehistoric times but that these origins have been obscured in all but a few very simple cases, and that in any case native writers don't have the original pictorial meaning in mind as they write. Whether Pound proceeded on false premises remains an academic question. Let the pedants rave. An important extension of imagist technique in poetry was gained by Pound's perception of the essentially poetic nature of the Chinese character as it is still written.
The chinese written character as a medium for poetry a this the first critical edition of ernest fenollosas the chinese written character as a medium for poetry is a milestone in literary scholarship haun saussy and his colleagues have produced an indispensable bookone that shows precisely how ezra pound reworking fenollosa invented the china we have come to accept as central to his poetryand to 20th century poetry in general
The chinese written character as a medium for poetry 豆瓣 the chinese written character as a medium for poetry 作者 ernest f fenollosa ezra pound 出版社 fordham university press å‰¯æ ‡é¢˜ a critical edition 出版年 2008315 页数 240 定价 gbp 2250 装帧 hardcover isbn 9780823228683
The chinese written character as a medium for poetry list of illustrations ix conventions xi preface xiii fenollosa compounded a discrimination haun saussy 1 the chinese written character as a medium for poetry an ars poetica ernest fenollosa with a foreword and notes by ezra pound 1918 1936 41 appendix with some notes by a very ignorant man ezra pound 61 the chinese written language as a medium for poetry ernest fenollosa final draft
The chinese written character as a medium for poetry the chinese written character as a medium for poetry by ernest fenollosa this essay was practically finished by the late ernest fenollosa i have done little more than remove a few repetitions and shape a few sentences we have here not a bare philological discussion but a study of the fundamentals of all esthetics
The chinese written character as a medium for poetry a buy the chinese written character as a medium for poetry a critical edition critical by fenollosa ernest pound ezra stalling jonathan klein lucas saussy haun isbn 9780823228690 from s book store everyday low prices and free delivery on eligible orders
The chinese written character as a medium for poetry his the chinese written character as a medium for poetry not only provides thoughtprovoking material it gives us the opportunity to sense the character of this impassioned man the book goes far beyond its initial focus on chinese written language addressing the question of fundamental differences among languages
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